I lived in Berkley, California, in 1989 when the earthquake struck. I had been painting in an
upstairs bedroom/studio when the house shook, cabinets emptied, and life suddenly went crazy. To a South Texas girl, whose only natural disasters included the occasional rattlesnake or summer drought, shaking earth seemed like the world's end. For weeks, I experienced the residual effects of that afternoon's upheaval. When I least expected it, I would be overtaken by an elevator-drop feeling in the pit of my stomach, accompanied by an impending sense of doom. I had lost something essential, the certainty of the ground beneath me. Earthquakes appear in the guise of a sudden death in the family, the loss of a relationship, or the addition of something new that rattles our security and overwhelms our senses. For a reason I don't fully understand, I turn to rocks. After the earthquake, I bought a fossil, feeling the need for the reassuring feel of something ancient. This Fall, I was in between times with my work, having closed Ordinary Prayers at the Nave Museum in the summer. Unconsciously, I began collecting stones as representative expressions of kindness or cause for gratitude. It has become my way to mark time with something tangible. This personal connection to rocks and their grounding presence mirrors the essence of the Enso Circle Artist Residency. As artists, we look for a solid foundation for our studio practice to be consistently productive. We also understand that earthquakes happen. We can find ourselves stuck in our own in-between time—primarily if we work in isolation or come up against a wall in our art. Participation in a twelve-week residency can be a welcome structure to jumpstart the creative process. The Enso Circle helps artists mark progress with achievable goals, supported by a like-minded community to build a path forward. Now in its tenth term, The Enso Circle Artist Residency hosts twelve artists in the Fall and Spring, serving as a touchstone that nurtures artistic process and personal growth. Much like my collection of rocks, participating artists gather experiences and insights as they find reassurance in the continuity and support of a shared journey of artistic exploration. Thus, the Enso Circle becomes not just a residency but a sanctuary where the uncertain ground of their lives finds stability and purpose. We invite you to apply for the Spring Enso Circle Artist Residency. Applications open February 1st. Visit our website for more information or to review our most recent final exhibition catalogs. ~~Michelle Belto
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