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Spring 2026 -- From Wabi-Sabi to Centering

In our exploration of wabi-sabi, we learned to welcome imperfection, irregularity, and the beauty of what is unfinished. We softened our grip on polish and allowed process to guide us. Wabi-sabi taught us to trust what emerges.
This term, we turn toward centering.

If wabi-sabi helped us accept the wobble, centering asks us to understand the axis. What allows a work — and a person — to remain upright while in motion? Imperfection without grounding becomes chaos; grounding without flexibility becomes rigidity. Between them lies balance — steady, responsive, and alive.

Centering is not about control. It is about alignment and return.
"I have found that Centering, like clay, … bears the future within it. For it contains a space for ongoing development and differentiation. In other words, it proves to be an open image, a vessel, holding a content that is life itself." ~~ M.C. Richards


Every other Thursday
Join Zoom Meeting
https://us02web.zoom.us/j/84257050840

Meeting ID: 842 5705 0840

Centering Concepts:
  • Week 1–2: Ground
  • Week 3–4: Breath
  • Week 5–6: Attention
  • Week 7–8: Containment
  • Week 9–10: Trust
  • Week 11–12: Integration

Centering in the Enso Circle

This term in the Enso Circle, we’ll be exploring the concept of centering — inspired by M.C. Richards’ book Centering in Pottery, Poetry, and the Person. At its core, centering is the practice of returning to the inner place from which authentic work emerges.

In creative practice, it’s easy to drift toward surface concerns: productivity, refinement, repetition, expectations (our own or others’). Over time, even experienced artists can feel stuck — not because they lack skill, but because they’ve moved slightly away from the living center of their work.

Centering is not about slowing down for its own sake, nor is it about abandoning discipline. Instead, it’s about alignment. It invites us to reconnect breath, body, intention, and material. It asks us to notice when we are pushing and to consider what might happen if we listened instead.

For Continuing Residents especially, centering offers a steady axis within long-term creative growth. It supports experimentation without panic, pauses without guilt, and shifts in direction without self-doubt.

In the Enso Circle — our creative commons — centering becomes a shared practice. We witness one another returning to that inner place of clarity and drawing from it again.

Download:
Using Centering in Three Ways to Get Unstuck

Download:
A Centering Meditation



THE ENSO CIRCLE
Continuing Residents Centering Framework
Balance • Axis • Self-Trust

Download these Principles for centering your work

1. The Core
Before form rises, something must hold.
  • What is the essential idea of this work?
  • What is the emotional temperature at its center?
  • If everything decorative were removed, what would remain?
Centering Reminder:
The core is not the most visible element — it is the most stabilizing one.


2. The Axis
Every piece has an unseen vertical line.
  • Where is the structural support?
  • What keeps the work from tipping conceptually or physically?
  • What element organizes the rest?
Studio Check:
If this piece began to wobble, what would correct it?


3. Balance
Balance is not symmetry. It is relationship.
  • Where is the weight — visual, material, conceptual?
  • Where is there tension?
  • Is the work breathing, or is it over-controlled?
Practice Question:
What might happen if I stop trying to “fix” and instead adjust?


4. Rhythm & Return
Centering is not a one-time act.
  • What ritual steadies you before you begin?
  • What brings you back when you feel scattered?
  • Are you working from urgency or steadiness?
Grounding Gesture:
Choose one small, repeatable action to return to when the spin begins.


5. Self-Trust
Self-trust is staying with the form long enough to understand it.
  • Am I responding or reacting?
  • Am I editing from clarity or from fear?
  • What does my body feel like when I know something is right?
Small Test:
If no one were going to see this, would I make the same decision?


Read more about the remarkable Mary Caroline Richards here on The Marginalian 
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NOTE: You do not need to purchase M. C. Richards’ Centering in Pottery, Poetry, and the Person to participate in this term — we will explore the principles together — but it has been one of my beloved creative guides for more than thirty years, and I return to it often.  ~~Lyn
CONTINUING RESIDENTS' ZOOM CALENDAR
  • Thu, March 5, 2026 — Zoom with Lyn & Michelle
  • Thu, March 12, 2026 — CR Zoom
  • Thu, March 19, 2026 — Zoom with Lyn & Michelle
  • Thu, March 26, 2026 — CR Zoom
  • Thu, April 2, 2026 — Zoom with Lyn & Michelle
  • Thu, April 9, 2026 — CR Zoom
  • Thu, April 16, 2026 — Zoom with Lyn & Michelle
  • Thu, April 23, 2026 — CR Zoom
  • Thu, April 30, 2026 — Zoom with Lyn & Michelle
  • Thu, May 7, 2026 — CR Zoom
  • Thu, May 14, 2026 — Zoom with Lyn & Michelle
  • Thu, May 21, 2026 — CR Zoom
  • Thu, May 28, 2026 ----Final Zoom with Lyn & Michelle.
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Closing Reflection
What holds this work upright?
What holds me upright?
Centering is not about control.
It is about alignment.



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Website designed by Lyn Belisle
All content © Michelle Belto and Lyn Belisle, The Enso Circle, 2021-2025


  • Home
  • WHO WE ARE
    • OUR STORY
    • WHY THE ENSO?
    • THE ENSO EXHIBITION CATALOGS
    • OUR STUDIOS
  • ABOUT THE CIRCLE
    • OVERVIEW
    • REQUIREMENTS AND COST
    • THINKING ABOUT APPLYING?
    • APPLICATION
  • MEMBERS PAGES
    • THE ENSO LESSON GUIDE
    • RESOURCE LIBRARY
    • ENSO CALENDAR
    • RESIDENCY FEE